There’s little doubt that the new and improved Acoustica provides some marvellously intuitive tools but it might feel more of a complete package if it also included Acon Digital’s DeVerberate and DeFilter plug-ins, even if that meant an increased cost.Īcoustica is a deep and feature-rich program that boasts too many elements to list in a single review. Much like the other effects from the Restoration Suite, we find this easy to use and the results are fantastic. The Extract Dialogue tool, which uses AI to separate dialogue from background noise, is another significant Acoustica 7.2 update. This could prove especially useful for creating remixes or instrumentals, or for mastering engineers who want more control over specific elements in a stereo file. We were able to cleanly isolate the vocal from an old soul sample to the point where any lasting remnants of the track would be minimised completely if it were added to a new mix. Still, this is up there with the best separation tools we’ve tried, and yields some stellar results. The Remix tool is surprisingly good at isolating vocals, drums and bass parts but is less impressive with some other instruments.Īs with any separation tool, the results of Acoustica’s vary depending on the clarity of your original material and the amount you’re trying to manipulate it.
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To gain access to this function, you have to download the Spleeter AI models for stem separation from within Acoustica, which requires an additional 670MB of space. You can also import tracks into a multi-track session and Acoustica will split them for you, laying out each part so it’s ready to be slathered with processing and effects. One of Acoustica’s major new additions is the Remix tool, which allows you to split a complete mix into up to five stems and rebalance them in real time. Although Acoustica’s results are passable, we detect more artefacts from it than we do Warp and Flex. It also offers transposition, harmonisation and time-stretching services, which can be applied as real-time effects in the processing chain or selected from the effects menu before being previewed and applied as a destructive edit.ĭuring our time with Acoustica 7’s Premium Edition, we test a clean vocal, an old funk sample, a whole track and single synth hit, and compare its performance with that of Ableton’s Warp and Logic’s Flex.
You’ll probably use the spectrogram and waveform views the most but, if you’re looking for additional sonic information, see the software’s wavelet, spectrum, and spectral history graphs.Īcoustica is equipped with all the tools and processes you’d expect from a top-tier audio-editing suite, and can aid you with normalisation, cross-fades, silence removal, track-splitting and much more. When you zoom in on spectrograms, it can be hard to make out the details, but the latest version of Acoustica helps out here by way of new temporal-resolution enhancement technology. There’s also a fancy retouching tool that removes noise based on a freely selectable reference from the surrounding audio (and operates a bit like PhotoShop’s Clone Stamp tool). Freehand and magic wand-style brushes help you select individual buttons and holding Alt while hitting the Up arrow on your keyboard highlights the relevant harmonics. When it comes to spectral editing, Acoustica allows you to select and process specific frequency regions.
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These separate windows can be conveniently hidden and resized so you can fine-tune the layout for particular tasks. Alongside its central waveform/spectrogram visualiser, Acoustica’s standard layout features individual media-file-browser, processing-chain and spectrum-analyser panels, as well as loudness, correlation and level meters.
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You can start a new project by dragging an audio file into the software or by creating a new Recording, Multitrack Session or CD Project from within it. These plug-ins alone add up to more than £260 – double the price of Acoustica 7’s Premium Edition – so this seems like superb value. The Premium Edition, which we’re reviewing here, also features the self-explanatory Extract Dialogue tool and precise spectral editing, as well as a host of Acon Digital effects that also come as their own plug-ins, which include the Restoration Suite (DeClick 2, DeClip 2, DeHum 2, and DeNoise 2), the Mastering Suite (Dynamics, Multiband Dynamics, Limit, Equalize 2, and Dither) and Verberate 2. Acoustica comes in standard and premium versions, both of which include a standalone editing app with built-in effects and Remix, a new stem-separation tool.
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